This is mainly due to the characters ascribed to them, as well as the personal spin they added to their representations. I follow his absurd, overly dramatic mannerisms as I follow the words of the play—intently. I wait for a stutter or a stumble, but instead I am left with a strong will to applaud. Assad executes swift changes from a mumbling Scottish Captain, Jemmy Campbell, to the convict, John Ascott, and the suffering midshipman, Harry Brewer. While his mutterings of a Rab C. Nesbitt kind draws in frequent chuckles from the audience, the psychological deterioration of the haunted and tormented Harry make me feel like a spy, as if I am on the shore with him close by, watching as he gradually breaks down.
I have seen Assad play a small role in one of the sketches in, Tonight at originally Tonight at , which did not show his range of acting. I feel like this performance has definitely shown his capability as a professional actor. While the cheeky chappie of Ketch was pleasing to watch, making me want to go for a country stroll and maybe jump in the air and kick my heels together, the Major had me seething.
Our Country's Good
I was once told that if I feel hatred for a character who is meant to be bad, then the actor is doing good work. Kudos to Max! He had me folding my arms, clenching my fists and shaking my head. His accents were infallible as was the mutation between his characters. In addition to the cast, another part I enjoy is the intertheatricality. References are made to the way in which inequality within the colony—between the convicts and the Royal Marines—is compared to the inequality Socrates expressed in his plays, and was therefore punished for by death.
My education seems to be paying off. This group of third years is tight and the hours they put into rehearsals obviously pays off. The Manchester School of Theatre is my new local. These students put on a show well worth watching. To see what your friends thought of this book, please sign up. To ask other readers questions about Our Country's Good , please sign up.
Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Nov 15, Eyehavenofilter rated it really liked it. This became an amazing stage production, which I ended up designing for, so it does hold a certain place in my heart, so I finally decided to read the book on which it was based. Doomed from the start. I love things like this. It's a real slice of what makes Australia so freekin wild and fearless.
In a penal colony a play is being rehearsed. Directed by the constabulary, staring inmates, the star, slated to be hung, what could possibly go right?
No one really wants to be there, everyone wants to This became an amazing stage production, which I ended up designing for, so it does hold a certain place in my heart, so I finally decided to read the book on which it was based. No one really wants to be there, everyone wants to escape this island they've been shipped to, and subsequently forgotten. So why not " Put on a play? The characters range from distasteful and brutish to pathetic and repulsive, and some are even loveable, in a weird way. But it takes a certain type of reader to appreciate this type of story.
Not everyone will " get it". Dec 21, Laura rated it liked it Recommended to Laura by: Bettie. Shelves: audio-books , read , drama , australia. From BBC Radio 4: Timberlake Wertenbaker's renowned play tells the story of convicts and Marines sent to Australia in as part of the first penal colony and their attempts to stage a play. View 2 comments. I cannot really say I was particularly blown away by this play.
I only came across it and had to read it because it was part of my course. Although I admit it is a clever and good enough read it is not my particular cup of tea. Jan 01, Amira rated it really liked it Shelves: books-oftarget A great play. I extremely enjoyed reading this and analysing for my English class. Dec 17, Kate rated it it was amazing Shelves: theatre-and-drama , plays.
Terrific play - brutal, funny, and hopeful. It's good to read as a play script, but really comes alive as it should in performance. Sep 24, Pat Moran rated it it was amazing Shelves: plays , summer-play-project. Funny as all hell. Dec 20, Bettie rated it liked it Shelves: radio-4 , winter , execution , fradio. This review has been hidden because it contains spoilers. To view it, click here. But one of his cast may be about to be hanged. Captain Arthur Philip Paul Moriarty Captain Watkin Tench. Paul Moriarty Captain Watkin Tench Adam Billington Captain Campbell James Lailey 2nd Lieutenant Ralph Clark Paul Higgins Reverend Johnson Simon Bubb Midshipman Harry Brewer Rikki Lawton Mary Brenham Francine Chamberlain Robert Sideway Adam James John Wisehammer Elliot Levey Liz Morden Kate Fleetwood Dabby Bryant Alex Tregear John Arscott Ralph Ineson Ketch Freeman Jonathan Forbes Duckling Smith Adjoa Andoh Director It tells the true story of Lieutenant Ralph Clark's attempts to put on a production of George Farquhar's 'The Recruiting Officer' using a cast of convicts.
It met with high praise when it was first staged at The Royal Court and the play argues eloquently for the redemptive power of theatre. Many of the arguments are still current today as we debate how best to rehabilitate prisoners. At the heart of the play is its language; Wertenbaker celebrates the beauty of language in the slang of the criminal classes and the poetry of the play but she also looks at how language is used as an instrument of power. Jul 19, B rated it liked it. Apparently this play is required for everybody's A Levels in England. It's pretty juicy.
I like imagining all of the Secondary School performances of this that must have occurred in England over the years. I'm pretty sure if I were a convict shipped off to Australia, I'd want to be in a play. It's interesting to think about that first colony and of Australia now. They're all a bunch of rabble rousers and thieves. No, not really.
How awful that someone could point their finger at you for stealing Apparently this play is required for everybody's A Levels in England. How awful that someone could point their finger at you for stealing food and whether you did or not, you're shipped to another hemisphere to another continent so that your country can be cleansed from a crime you didn't commit.
They sure were quick to hang people too. Clearly, I'm not passing my A Levels.
Ha, this is the worst essay ever. OK, but there's some inconsistency in tone in this play.
The power of theatre! They were all fighting and miserable a second ago.
Meh, what do I know? It's probably some very deliberate device. I just don't buy it. Seems like ole Timberlake had such a juicy topic and was going in a really controversial direction and then got wet feet and decided to paint flowers and puffy clouds all over everything. Though, I guess that's kind of how I imagine Australia now. All flowers and puffy clouds. So, maybe she was onto something. View 1 comment. Clever play. Phillip: The Greeks believed that it was a citizen's duty to watch a play. It was a kind of work in that it required attention, judgement, patience, all the social virtues.
Tench: And the Greek were conquered by the more practical Romans, Arthur. Collins: Indeed, the Romans built their bridges, but they also spent many centuries wishing they were Greeks.
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And they, after all, were conquered by the barbarians, or by their own corrupt and small spirits. Dawes, do come b Clever play. Dawes, do come back to earth and honour us with your attention for a moment. Don't you like it when I open my legs wide to you? Cross them over you - the way you like? What will you do when your little Duckling isn't there anymore to touch you with her soft fingertips, Harry, where you like it? First the left nipple and then the right. Your Duckling doesn't want to leave you, Harry. Harry: Duckling Duckling: I need freedom sometimes, Harry. It will be considered provocative.
Wisehammer: You don't want me to say it. Ralph: Not tonight. We have many people against us. Wisehammer; I could tone it down. I could omit 'We left our country for our country's good. Jul 06, Christian rated it really liked it. This was fantastic. It was hard for me to get into, admittedly, but that's my failing and not that of the script.
Once I apprehended the characters, this wonderful nuance emerged from between the floorboards and I was swept along in this crazy adventure. It's short, no one has an excuse not to read this unless they hate reading play scripts , and it's an incisive testimony to a very dark aspect of Australian colonial history.
"Our Country’s Good" Couldn’t Be Better! - Review | Bag&Baggage Productions
The willfully ignorant governmental behemoth acts with seemingly nons This was fantastic. The willfully ignorant governmental behemoth acts with seemingly nonsensical blitheness, a trait I think every nation can relate to, leaving its subjects civilians and military alike to bear the consequences and scramble to hold their lives together. At least half of the cast, here, are some highly eccentric and somewhat dangerous prisoners, locked up for crimes which lose their integrity as events unfold; yet despite their fringe demeanor and off-kilter cognition, they are still sympathetic characters, perhaps because of the "we're all in the same boat" sense this story constructs.
What moments of joy Our Country's Good affords are sparse and infrequent: laughter is usually followed up with barbarism or misfortune, and then something awful happens.
Our Country's Good, by Timberlake Wertenbaker Essay
May 13, Add Harii rated it really liked it. A play that deals with two opposing forces that have different arguments when it comes to the talking of solution on how to make a better society. The setting of the play is the early time of Australia, when it was still functioned as a place to send the convicts from England. Realizing that these convicts will end up living there, one group of the authorities decided to 'educate' the convicts through art or in this case through theatrical performances. But other group believes that to create ha A play that deals with two opposing forces that have different arguments when it comes to the talking of solution on how to make a better society.