Much Wenlock, Shropshire. Munster Literature Centre. National Poetry Library Southbank Centre. National Theatre. National Theatre, Lyttelton Theatre. Newcastle University. Norwich Arts Centre. Notting Hill Arts Club. Nuffield Theater.
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Nuffield Theatre. Oaktree Anglican Fellowship. Offside Books The Bookshop. Old Church, Stoke Newington, London. Old Red Lion Theatre. One Paved Court. Online on facebook. Orange Tree Theatre. Orleans House Gallery. Oxford Brookes Poetry Centre. Oxford Brookes University. Oxo Tower Wharf Bargehouse. Parasol Foundation for Contemporary Art. Parasol unit foundation for contemporary art. Parish Centre St. Park Inn by Radisson. Park Inn by Radisson London Heathrow. Part of the Coronet International Festival.
Phoenix Arts Club. Pimlico Library. Pitfield London. Pitshanger Bookshop. Pleasance Theatre. Plymouth Fringe, Barbican Theatre. Poetry The Print Room. Prague Czech Republic. Print Room at The Coronet. Printers Playhouse. Purcell Room at Queen Elizabeth Hall. Purcell Room, Southbank Centre. Purcell Room, The Southbank Centre. Queen Mary University of London.
Queens Park Books. Radisson Hotel Narita. Tokyo, Japan. Ravenscourt Park Tube Station. Redbridge Station starting point. Renaissance London Hearthrow Hotel. Renaissance London Heathrow Hotel. Renaissance Polat Istanbul Hotel. Rich Mix Arts Centre. Richard Jefferies Museum. Roborough Studios. Rochford Street Review Issue Ronnie Scott's Jazz Club.
Ronnie Scott's Jazz Club Upstairs. Room 25, The British Museum. Rosemary Branch Theatre. Royal Academy of Arts. Royal Albert Hall. Royal College of Nursing. Royal College of Physicians. Royal Festival Hall. Royal Festival Hall, Southbank Centre. Royal Observatory Greenwich. Royal Opera House. Rudolf Steiner House. Saatchi Gallery. Senate House, University of London. Sent upon joining group. Seven Dials Club. Shrewsbury Museum and Art Gallery. Sir David Davies Lecture Theatre. Smokey Joes, Cheltenham. Snape Maltings Concert Hall. South East London Art Rooms.
South Street Arts Centre. Southbank Centre. Southbank Centre Queen Elizabeth Hall. Southbank Centre, Foyer Spaces. Southbank Centre's Hayward Gallery Cafe. Southbank Centre's Purcell Room. St Andrews, Fife. St Endellion Church. St Ethelburga's Centre. St Georges Hall, 1st Floor Studio. St John on Bethnal Green. St John's Waterloo. St Martin Within Ludgate.
St Mary's Creative Space. St Mary's Church. St Michael's Church. St Michael's Church, Discoed. St Pancras International. St Paul's Church Knightsbridge. St Peter's Church. John's Music Hall. Stephen's Church. Stephen's Church, Gloucester Road. Start at St Micheal's Church. Start: The Monument. Stephen Lawrence Gallery. Stern Pissarro Gallery. Stratford Library.
Sutton Central LIbrary. Swedenborg House. Taliesin Arts Centre. Tea House Theatre. Teddington, Middlesex. Tenderbooks, basement. Thamesbank Centre. The Adelaide pub. The Albion Beatnik Bookshop. The Anne Freud Centre. The Art Workers Guild. The Art Workers' Guild. The Artworks UK. The Barbican Library. The Beckenham Bookshop. The Betsey Trotwood. The Bike Shed Theatre. The Bill Murray. The Birley Centre. The Bloomsbury Hotel.
The Bread and Roses pub. The Britannia Village Hall. The British Library. The British Library and Rich Mix. The British Museum. The Broadway Theatre , Barking. The Camden Eye Pub. The Canvas Cafe. The Castle Hotel. The Caterpillar. The Chapel, King's College. The Church of the Holy Cross.
The Cockpit Theatre. The Coffee Shop. The Crypt on the Green. The Cumberland Arms. The Cut Arts Centre. The Dog House Pub upstairs. The Dugdale Cebtre. The Essex Unitarian Church Library. The Fiddlers Elbow. The Fitzrovia Centre. The Flying Horse cellar. The Foundling Museum.
The Free Association's Comedy Room. The Frost Place. The Gallery Cafe. The Gallery of Everything. The Garsdale Retreat. The Great Hall, Dulwich College. The Greenwich Tavern top floor, the Treehouse. The Harris Library. The Hat Factory. The Hellenic Centre. The House of Illustration. The International Anthony Burgess Foundation. The Irish Cultural Centre. The John Rylands Library. The Landmark Arts Centre. The Leeds Library. The Lexington Centre.
The Library Club. The London Review Bookshop. The Maypole Cafe Bar and Theatre. The National Galler. The National Gallery. The National Poetry Library, Southbank. The National Portrait Gallery, London. The Nehru Centre. The Nursery Training Centre. The Old Hairdresser's. The Old Library. The Old Neptune Pub. The Old Rep Theatre. The Oval Tavern.
The Oxford School of Poetry. The Pheasantry, Chelsea. The Photographers' Gallery. The Plough Arts Centre. The Poetry Cafe. The Poetry Library. The Poetry School. The Poetry Society. The Poetry Studio. The Print Room The Coroney. The Proud Archivist. The Queen's Gallery, Buckingham Palace. The Rag Factory. The Roath Park Pub. The Royal Gardens at Highgrove. The Sewing Room. The Shakespeare Centre. The Siding, Flat Iron Square.
23 Breathtaking Books That Prove Poetry is For Everyone
The Society Club. The Star of Kings. The Strand Gallery. The Subscription Rooms. The Sustainability Centre. The Sydenham Centre. The Tavistock and Portman. The Theatre Shop. The Village Hall. The Wabi-Sabi Academy. The White House, Dagenham. The Writing Room, Woodgreen Works,. Tom Thumb Theatre. Torriano Meeting House. Totleigh Barton. Tower Hill Underground Station.
Twickenham Library. UCL Roberts Building. Upper Level, St Pancras International. Upstairs at the Western. Various locations. Various locations across Whitstable. Venues across Richmond Borough. Venues across Ripon. Venues throughout Cheltenham. Victoria Library.
Voodoo Lounge, upstairs at Exeter Phoenix. Vout-O-Reenee's Club. Vout-O-Reenee's Club,. Wandsworth Town Library. Ware Arts Centre. Waterstone's Gower Street. Waterstones Birmingham. Waterstones Deansgate. Waterstones Piccadilly. Waterstones Trafalgar Square. Waterstones, Nottingham. Waterstones, Piccadilly. Waterstones, Piccadilly, London. West End Centre. West Greenwich Library. Westminster Cathedral.
Westminster Reference Library. White Mountain School. Whitechapel Gallery. Whitworth Art Gallery. William Morris Gallery. Wilton's Music Hall. Winchester Discovery Centre. Windmill Brixton. Wod on the Water. Woodbridge Library. Writers' Centre Norwich. Ye Olde Cheshire Cheese. York St John University. Young Actors Theatre. Zurich, Switzerland. Abney Park Trust. Academia Rossica. Adam Brody and Agata. Against the Grain Press. Allied Academies. Anne Warrington. Anne-Marie Fyfe. Anne-Marie Fyfe Organiser , coffee-house poetry at the troubadour. Apples and Snakes. Apples and Snakes and Library of Birmingham.
Apples and Snakes and London Libraries. Apples and Snakes and No Panic. Apples and Snakes and The Writing Room. Apples and Snakes in association with Writing East Midlands. Apples and Snakes in partnership with Half Moon Theatre. Apples and Snakes in partnership with RichMix.
Apples and Snakes Presents. Apples and Snakes with Jenni Pascoe. Apples and Snakes with Renaissance One. Apples and Snakes, Wise Words and Gulbenkian. Apples and Snakes, Wise Words and Gulbenkian present. Ariel Silverman. Art the Arms Fair. Arts Richmond Poetry Hub. Asymptote Journal. Avalon Promotions Ltd. Bang Said The Gun. Barney Ashton-Bullock. Battersea Power Station. Bechdel Test Fest. Belinda Wilkins cruselinespoetrycompetition gmail. Betjeman Poetry Prize. Beverage Trade Network. Birmingham Literature Festival.
Bloomberg Summer at the Roundhouse. Bloomsbury Publishing. Blued Ink Theatre. Bourne West Productions. British Library Adult Learning. Brittle Star magazine. Buxton Festival. Canada Water, London. Cardiology Insights Carpe Diem Events. Cartwheels Collective. Catherine Humble and Kathryn Maris. Cathy Wilcock and Mint Works. Cherry Potts, Arachne Press. China Exchange, Registered Charity No.
Chocolate Poetry Club Paul Point. Chris Beckett and Gale Burns. Chrissy Williams, Joey Connolly. Coffee-House Poetry. Conference Series. Conference Series Limited. Conference series LLC. Conference Series llc Ltd. Contact Myra myrarschneider gmail. Coronet International Festival. Cristina Newton.
David Russomano. David Underdown and Cicely Gill. Denis Olasehinde Akinmolasire. Dr Johnson's House Trust ltd. Kirsten Norrie poet MacGillivray. Dulwich Festival supported by The Dulwich Society. East End FIlm Festival. Electrifying Women. Emergency Exit Arts. Empower Youth Homelessness. Enrique Gavilanes. Eris Collective.
In partnership with Piana na ulici and The Poetry Society. European Ophthalmology Conferences Ltd. EuroScicon Occupational Health Conference Exiled Writer Ink. Exiled Writers Ink. Extra Second London. Femme Lunatique Productions. Forward Arts Foundation. Freedom from Torture. Friends of St Michael's. FromtheWhitehouse Ltd. Gale Burns and Chris Beckett. Gale Burns and Selina Rodrigues. Gavin Conferences. Gillian Capewell and Jayne Buchanan.
Goldsmiths English PEN society. Gram Joel Davies. Green Seer Books. Greenwich Book Festival. Hackneyed - a London anthology project. Hammer and Tongue. Hammer and Tongue Southampton. Hannah Trevarthen. Harris Academy and Adam Bujons. Havering Libraries. Heather Moulson. Hesterglock Press and Capital Letters. Highgrove Enterprises.
Holiday Donaldson. Holland Park Press. Human Rights Watch. Ilkley Literature Festival. Indigo Dreams Publishing. Indigo Dreams Publishing Ltd. Indigo Dreams Publishing publishing indigodreams. Irish Literary Society. Jacqueline Saphra. Jaybird Live Literature and the Poetry Society. Jazz Verse Jukebox. Jenni Pascoe with support from Apples and Snakes. Jenni Pascoe with support from Apples and Snakes presents.
Jennifer Langer. John Akinde and Dauda Ladejobi.
Minds Above Water: A Collection of Short Stories and Poetry
Jonathan Louth ArchiCantuor. Jumoke Fashola. Katrina Naomi and Tim Ridley. Keats Foundation. Kerry Featherstone. Lambeth Libraries. Leitrim Equation. Lena Augustinson. Lewisham Libraries. Lexis Conferences. Liam McLaughlin Productions. Limehouse Books. Linda Adair and Mark Roberts. Literature Wales. Liverpool Gin Halewood.
Lizzie Merrill and Candid Arts Trust. London Aphorists Association. London Sinfonietta. Longdom Conference. Longdom Conferences. Lou from Bobsiloula Catering. Louise Robertson. Lynden Rees-Roberts. Mind Over Matter. Mischa Foster Poole. Richard Stephenson. Munster Literaure Centre. Museum of Walking. Museum of Walking supported by the Woodland Trust. Music for Liberia. Myra Schneider - myrarschneider gmail. Myra Schneider myrarschneider gmail. National Portrait Gallery. Newcastle Centre for Literary Arts.
Nicholas Murray. Nick Makoha and Nimble Fis. Nicola Burnett Smith. North Cornwall Book Festival. Notting Hill Concerts. Nuffield Council on Bioethics. Offside Books and 'Poetry of Many Worlds'. Omilos Eksipiretiton. Oneness Sankara. Open Pen Magazine. Orpheus Sinfonia. Out-Spoken Press. Outlook conference. Outlook conference series. Outlook Conferences. The bride unrumples her white dress, the minute-hand of the clock moves slowly,. The prostitute draggles her shawl, her bonnet bobs on her tipsy and pimpled neck,.
The crowd laugh at her blackguard oaths, the men jeer and wink to each other,. I do not laugh at your oaths nor jeer you;. The President holding a cabinet council is surrounded by the great Secretaries,. On the piazza walk three matrons stately and friendly with twined arms,. The crew of the fish-smack pack repeated layers of halibut in the hold,.
The Missourian crosses the plains toting his wares and his cattle,. As the fare-collector goes through the train he gives notice by the jingling of loose change,. The floor-men are laying the floor, the tinners are tinning the roof, the masons are calling for mortar,. In single file each shouldering his hod pass onward the laborers;. Seasons pursuing each other the plougher ploughs, the mower mows, and the winter-grain falls in the ground;. Off on the lakes the pike-fisher watches and waits by the hole in the frozen surface,.
The stumps stand thick round the clearing, the squatter strikes deep with his axe,. Flatboatmen make fast towards dusk near the cotton-wood or pecan-trees,. Torches shine in the dark that hangs on the Chattahooche or Altamahaw,. Patriarchs sit at supper with sons and grandsons and great-grandsons around them,. The living sleep for their time, the dead sleep for their time,. The old husband sleeps by his wife and the young husband sleeps by his wife;. And these tend inward to me, and I tend outward to them,.
And such as it is to be of these more or less I am,. And of these one and all I weave the song of myself. I am of old and young, of the foolish as much as the wise,. Regardless of others, ever regardful of others,. Maternal as well as paternal, a child as well as a man,. One of the Nation of many nations, the smallest the same and the largest the same,. A Southerner soon as a Northerner, a planter nonchalant and hospitable down by the Oconee I live,.
A Yankee bound my own way ready for trade, my joints the limberest joints on earth and the sternest joints on earth,. A Kentuckian walking the vale of the Elkhorn in my deer-skin leggings, a Louisianian or Georgian,. A boatman over lakes or bays or along coasts, a Hoosier, Badger, Buckeye;. At home on Kanadian snow-shoes or up in the bush, or with fishermen off Newfoundland,. At home in the fleet of ice-boats, sailing with the rest and tacking,.
At home on the hills of Vermont or in the woods of Maine, or the Texan ranch,. Comrade of Californians, comrade of free North-Westerners, loving their big proportions,. Comrade of raftsmen and coalmen, comrade of all who shake hands and welcome to drink and meat,. A learner with the simplest, a teacher of the thoughtfullest,.
A novice beginning yet experient of myriads of seasons,. Of every hue and caste am I, of every rank and religion,. A farmer, mechanic, artist, gentleman, sailor, quaker,. Prisoner, fancy-man, rowdy, lawyer, physician, priest. I resist any thing better than my own diversity,.
The moth and the fish-eggs are in their place,. The bright suns I see and the dark suns I cannot see are in their place,. The palpable is in its place and the impalpable is in its place. These are really the thoughts of all men in all ages and lands, they are not original with me,. If they are not yours as much as mine they are nothing, or next to nothing,. If they are not the riddle and the untying of the riddle they are nothing,. If they are not just as close as they are distant they are nothing.
This is the grass that grows wherever the land is and the water is,. With music strong I come, with my cornets and my drums,. Have you heard that it was good to gain the day? I also say it is good to fall, battles are lost in the same spirit in which they are won.
I blow through my embouchures my loudest and gayest for them. And to those whose war-vessels sank in the sea! And to those themselves who sank in the sea! And to all generals that lost engagements, and all overcome heroes! And the numberless unknown heroes equal to the greatest heroes known! This is the meal equally set, this the meat for natural hunger,. It is for the wicked just the same as the righteous, I make appointments with all,. I will not have a single person slighted or left away,. The kept-woman, sponger, thief, are hereby invited,. There shall be no difference between them and the rest.
This is the press of a bashful hand, this the float and odor of hair,. This the touch of my lips to yours, this the murmur of yearning,. This the far-off depth and height reflecting my own face,. This the thoughtful merge of myself, and the outlet again. Do you guess I have some intricate purpose?
Well I have, for the Fourth-month showers have, and the mica on the side of a rock has. Does the daylight astonish? I might not tell everybody, but I will tell you. Who goes there? How is it I extract strength from the beef I eat? What is a man anyhow? All I mark as my own you shall offset it with your own,. I do not snivel that snivel the world over,. That months are vacuums and the ground but wallow and filth. Why should I pray? I find no sweeter fat than sticks to my own bones. In all people I see myself, none more and not one a barley-corn less,. And the good or bad I say of myself I say of them.
To me the converging objects of the universe perpetually flow,. All are written to me, and I must get what the writing means. I do not trouble my spirit to vindicate itself or be understood,. I see that the elementary laws never apologize,. I reckon I behave no prouder than the level I plant my house by, after all. If no other in the world be aware I sit content,. And if each and all be aware I sit content. One world is aware and by far the largest to me, and that is myself,. And whether I come to my own to-day or in ten thousand or ten million years,. I can cheerfully take it now, or with equal cheerfulness I can wait.
I am the poet of the Body and I am the poet of the Soul,. The pleasures of heaven are with me and the pains of hell are with me,. The first I graft and increase upon myself, the latter I translate into a new tongue. I am the poet of the woman the same as the man,. And I say it is as great to be a woman as to be a man,. And I say there is nothing greater than the mother of men. We have had ducking and deprecating about enough,.
Have you outstript the rest? It is a trifle, they will more than arrive there every one, and still pass on. I am he that walks with the tender and growing night,. I call to the earth and sea half-held by the night. Night of south winds—night of the large few stars! Still nodding night—mad naked summer night. Earth of departed sunset—earth of the mountains misty-topt! Earth of the vitreous pour of the full moon just tinged with blue!
Earth of shine and dark mottling the tide of the river! Earth of the limpid gray of clouds brighter and clearer for my sake! Prodigal, you have given me love—therefore I to you give love! You sea! I resign myself to you also—I guess what you mean,. I behold from the beach your crooked inviting fingers,. I believe you refuse to go back without feeling of me,. We must have a turn together, I undress, hurry me out of sight of the land,. Cushion me soft, rock me in billowy drowse,. Sea breathing broad and convulsive breaths,.
Howler and scooper of storms, capricious and dainty sea,. I am integral with you, I too am of one phase and of all phases. Partaker of influx and efflux I, extoller of hate and conciliation,. Shall I make my list of things in the house and skip the house that supports them? I am not the poet of goodness only, I do not decline to be the poet of wickedness also. What blurt is this about virtue and about vice? Evil propels me and reform of evil propels me, I stand indifferent,. Did you fear some scrofula out of the unflagging pregnancy?
I find one side a balance and the antipodal side a balance,. Soft doctrine as steady help as stable doctrine,. Thoughts and deeds of the present our rouse and early start. This minute that comes to me over the past decillions,. What behaved well in the past or behaves well to-day is not such a wonder,. The wonder is always and always how there can be a mean man or an infidel. And mine a word of the modern, the word En-Masse.
Here or henceforward it is all the same to me, I accept Time absolutely. It alone is without flaw, it alone rounds and completes all,. That mystic baffling wonder alone completes all. Hurrah for positive science! Fetch stonecrop mixt with cedar and branches of lilac,. This is the lexicographer, this the chemist, this made a grammar of the old cartouches,. These mariners put the ship through dangerous unknown seas. This is the geologist, this works with the scalpel, and this is a mathematician.
Your facts are useful, and yet they are not my dwelling,. I but enter by them to an area of my dwelling. Less the reminders of properties told my words,. And more the reminders they of life untold, and of freedom and extrication,. And make short account of neuters and geldings, and favor men and women fully equipt,. And beat the gong of revolt, and stop with fugitives and them that plot and conspire. Walt Whitman, a kosmos, of Manhattan the son,. Turbulent, fleshy, sensual, eating, drinking and breeding,.
No sentimentalist, no stander above men and women or apart from them,. Unscrew the doors themselves from their jambs! And whatever is done or said returns at last to me. Through me the afflatus surging and surging, through me the current and index. I speak the pass-word primeval, I give the sign of democracy,. By God! I will accept nothing which all cannot have their counterpart of on the same terms.
Voices of the interminable generations of prisoners and slaves,. Voices of cycles of preparation and accretion,. And of the threads that connect the stars, and of wombs and of the father-stuff,. And of the rights of them the others are down upon,. Fog in the air, beetles rolling balls of dung. I keep as delicate around the bowels as around the head and heart,. Copulation is no more rank to me than death is.
Seeing, hearing, feeling, are miracles, and each part and tag of me is a miracle. The scent of these arm-pits aroma finer than prayer,. This head more than churches, bibles, and all the creeds. If I worship one thing more than another it shall be the spread of my own body, or any part of it,. Whatever goes to the tilth of me it shall be you!
You my rich blood! Breast that presses against other breasts it shall be you! My brain it shall be your occult convolutions! Trickling sap of maple, fibre of manly wheat, it shall be you! Vapors lighting and shading my face it shall be you! You sweaty brooks and dews it shall be you! Winds whose soft-tickling genitals rub against me it shall be you! Broad muscular fields, branches of live oak, loving lounger in my winding paths, it shall be you! I dote on myself, there is that lot of me and all so luscious,. Each moment and whatever happens thrills me with joy,. I cannot tell how my ankles bend, nor whence the cause of my faintest wish,.
Nor the cause of the friendship I emit, nor the cause of the friendship I take again. That I walk up my stoop, I pause to consider if it really be,. A morning-glory at my window satisfies me more than the metaphysics of books. The little light fades the immense and diaphanous shadows,. Hefts of the moving world at innocent gambols silently rising freshly exuding,.
Something I cannot see puts upward libidinous prongs,. The earth by the sky staid with, the daily close of their junction,. The mocking taunt, See then whether you shall be master! Dazzling and tremendous how quick the sun-rise would kill me,. If I could not now and always send sun-rise out of me. We also ascend dazzling and tremendous as the sun,. We found our own O my soul in the calm and cool of the daybreak. My voice goes after what my eyes cannot reach,.
With the twirl of my tongue I encompass worlds and volumes of worlds. Speech is the twin of my vision, it is unequal to measure itself,. It provokes me forever, it says sarcastically,. Come now I will not be tantalized, you conceive too much of articulation,. Do you not know O speech how the buds beneath you are folded? The dirt receding before my prophetical screams,. I underlying causes to balance them at last,. My knowledge my live parts, it keeping tally with the meaning of all things,. Happiness, which whoever hears me let him or her set out in search of this day. My final merit I refuse you, I refuse putting from me what I really am,.
Encompass worlds, but never try to encompass me,. I crowd your sleekest and best by simply looking toward you. I carry the plenum of proof and every thing else in my face,.
Seamus Heaney’s Beauty
With the hush of my lips I wholly confound the skeptic. To accrue what I hear into this song, to let sounds contribute toward it. I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals,. I hear the sound I love, the sound of the human voice,.
I hear all sounds running together, combined, fused or following,. Sounds of the city and sounds out of the city, sounds of the day and night,. Talkative young ones to those that like them, the loud laugh of work-people at their meals,. The angry base of disjointed friendship, the faint tones of the sick,. The judge with hands tight to the desk, his pallid lips pronouncing a death-sentence,. The steam whistle, the solid roll of the train of approaching cars,. They go to guard some corpse, the flag-tops are draped with black muslin.
It shakes mad-sweet pangs through my belly and breast. A tenor large and fresh as the creation fills me,. The orbic flex of his mouth is pouring and filling me full. The orchestra whirls me wider than Uranus flies,. I am cut by bitter and angry hail, I lose my breath,. At length let up again to feel the puzzle of puzzles,. Round and round we go, all of us, and ever come back thither,. I have instant conductors all over me whether I pass or stop,. They seize every object and lead it harmlessly through me. I merely stir, press, feel with my fingers, and am happy,.
Is this then a touch? Flames and ether making a rush for my veins,. Treacherous tip of me reaching and crowding to help them,. My flesh and blood playing out lightning to strike what is hardly different from myself,. On all sides prurient provokers stiffening my limbs,. Straining the udder of my heart for its withheld drip,.
Behaving licentious toward me, taking no denial,. Unbuttoning my clothes, holding me by the bare waist,. Deluding my confusion with the calm of the sunlight and pasture-fields,. They bribed to swap off with touch and go and graze at the edges of me,. No consideration, no regard for my draining strength or my anger,. Fetching the rest of the herd around to enjoy them a while,. Then all uniting to stand on a headland and worry me. The sentries desert every other part of me,.
They have left me helpless to a red marauder,. They all come to the headland to witness and assist against me. I talk wildly, I have lost my wits, I and nobody else am the greatest traitor,. I went myself first to the headland, my own hands carried me there. You villain touch! Unclench your floodgates, you are too much for me. Rich showering rain, and recompense richer afterward. Sprouts take and accumulate, stand by the curb prolific and vital,. Landscapes projected masculine, full-sized and golden. They neither hasten their own delivery nor resist it,.
They do not need the obstetric forceps of the surgeon,. The damp of the night drives deeper into my soul. Only what proves itself to every man and woman is so,. I believe the soggy clods shall become lovers and lamps,. And a compend of compends is the meat of a man or woman,. And a summit and flower there is the feeling they have for each other,. And they are to branch boundlessly out of that lesson until it becomes omnific,. And until one and all shall delight us, and we them. I believe a leaf of grass is no less than the journey-work of the stars,.
And the pismire is equally perfect, and a grain of sand, and the egg of the wren,. And the running blackberry would adorn the parlors of heaven,. And the narrowest hinge in my hand puts to scorn all machinery,.
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And a mouse is miracle enough to stagger sextillions of infidels. I find I incorporate gneiss, coal, long-threaded moss, fruits, grains, esculent roots,. And have distanced what is behind me for good reasons,. But call any thing back again when I desire it. In vain the plutonic rocks send their old heat against my approach,. In vain objects stand leagues off and assume manifold shapes,. In vain the ocean settling in hollows and the great monsters lying low,. In vain the buzzard houses herself with the sky,. In vain the snake slides through the creepers and logs,.
In vain the elk takes to the inner passes of the woods,. I follow quickly, I ascend to the nest in the fissure of the cliff. They do not sweat and whine about their condition,. They do not lie awake in the dark and weep for their sins,. They do not make me sick discussing their duty to God,. Not one is dissatisfied, not one is demented with the mania of owning things,. Not one kneels to another, nor to his kind that lived thousands of years ago,. Not one is respectable or unhappy over the whole earth.
So they show their relations to me and I accept them,. They bring me tokens of myself, they evince them plainly in their possession. Did I pass that way huge times ago and negligently drop them? Myself moving forward then and now and forever,. Gathering and showing more always and with velocity,. Infinite and omnigenous, and the like of these among them,.
Not too exclusive toward the reachers of my remembrancers,. Picking out here one that I love, and now go with him on brotherly terms. A gigantic beauty of a stallion, fresh and responsive to my caresses,. Head high in the forehead, wide between the ears,. Limbs glossy and supple, tail dusting the ground,.
Eyes full of sparkling wickedness, ears finely cut, flexibly moving. His nostrils dilate as my heels embrace him,. His well-built limbs tremble with pleasure as we race around and return. I but use you a minute, then I resign you, stallion,. Why do I need your paces when I myself out-gallop them?
Even as I stand or sit passing faster than you. Space and Time! My ties and ballasts leave me, my elbows rest in sea-gaps,. I skirt sierras, my palms cover continents,. Along the ruts of the turnpike, along the dry gulch and rivulet bed,. Weeding my onion-patch or hoeing rows of carrots and parsnips, crossing savannas, trailing in forests,. Prospecting, gold-digging, girdling the trees of a new purchase,. Where the panther walks to and fro on a limb overhead, where the buck turns furiously at the hunter,. Where the rattlesnake suns his flabby length on a rock, where the otter is feeding on fish,.
Where the alligator in his tough pimples sleeps by the bayou,. Where the black bear is searching for roots or honey, where the beaver pats the mud with his paddle-shaped tail;. Over the white and brown buckwheat, a hummer and buzzer there with the rest,. Over the dusky green of the rye as it ripples and shades in the breeze;. Scaling mountains, pulling myself cautiously up, holding on by low scragged limbs,. Walking the path worn in the grass and beat through the leaves of the brush,. Where the quail is whistling betwixt the woods and the wheat-lot,. Where the bat flies in the Seventh-month eve, where the great gold-bug drops through the dark,.
Where the brook puts out of the roots of the old tree and flows to the meadow,. Where cattle stand and shake away flies with the tremulous shuddering of their hides,. Where the cheese-cloth hangs in the kitchen, where andirons straddle the hearth-slab, where cobwebs fall in festoons from the rafters;.
Where trip-hammers crash, where the press is whirling its cylinders,. Wherever the human heart beats with terrible throes under its ribs,. Where the pear-shaped balloon is floating aloft, floating in it myself and looking composedly down,. Where the life-car is drawn on the slip-noose, where the heat hatches pale-green eggs in the dented sand,. Where the she-whale swims with her calf and never forsakes it,. Where the steam-ship trails hind-ways its long pennant of smoke,.
Where the fin of the shark cuts like a black chip out of the water,. Where shells grow to her slimy deck, where the dead are corrupting below;. Approaching Manhattan up by the long-stretching island,. Under Niagara, the cataract falling like a veil over my countenance,. Upon a door-step, upon the horse-block of hard wood outside,. Upon the race-course, or enjoying picnics or jigs or a good game of base-ball,. At he-festivals, with blackguard gibes, ironical license, bull-dances, drinking, laughter,.
At the cider-mill tasting the sweets of the brown mash, sucking the juice through a straw,. At apple-peelings wanting kisses for all the red fruit I find,. At musters, beach-parties, friendly bees, huskings, house-raisings;. Where the mocking-bird sounds his delicious gurgles, cackles, screams, weeps,. Where the bull advances to do his masculine work, where the stud to the mare, where the cock is treading the hen,.
Where the heifers browse, where geese nip their food with short jerks,. Where sun-down shadows lengthen over the limitless and lonesome prairie,. Where herds of buffalo make a crawling spread of the square miles far and near,. Where the humming-bird shimmers, where the neck of the long-lived swan is curving and winding,. Where the laughing-gull scoots by the shore, where she laughs her near-human laugh,. Where bee-hives range on a gray bench in the garden half hid by the high weeds,. Where winter wolves bark amid wastes of snow and icicled trees,.
Where the splash of swimmers and divers cools the warm noon,. Where the katy-did works her chromatic reed on the walnut-tree over the well,. Through patches of citrons and cucumbers with silver-wired leaves,. Through the salt-lick or orange glade, or under conical firs,. Looking in at the shop-windows of Broadway the whole forenoon, flatting the flesh of my nose on the thick plate glass,.
My right and left arms round the sides of two friends, and I in the middle;. By the cot in the hospital reaching lemonade to a feverish patient,. Voyaging to every port to dicker and adventure,. Hurrying with the modern crowd as eager and fickle as any,. Hot toward one I hate, ready in my madness to knife him,. Solitary at midnight in my back yard, my thoughts gone from me a long while,. Speeding through space, speeding through heaven and the stars,.
Speeding amid the seven satellites and the broad ring, and the diameter of eighty thousand miles,. Carrying the crescent child that carries its own full mother in its belly,. Storming, enjoying, planning, loving, cautioning,. Backing and filling, appearing and disappearing,. I visit the orchards of spheres and look at the product,. I fly those flights of a fluid and swallowing soul,. My course runs below the soundings of plummets. No guard can shut me off, no law prevent me.
My messengers continually cruise away or bring their returns to me. I go hunting polar furs and the seal, leaping chasms with a pike-pointed staff, clinging to topples of brittle and blue. We sail the arctic sea, it is plenty light enough,. Through the clear atmosphere I stretch around on the wonderful beauty,. The enormous masses of ice pass me and I pass them, the scenery is plain in all directions,. The white-topt mountains show in the distance, I fling out my fancies toward them,.
We are approaching some great battle-field in which we are soon to be engaged,. We pass the colossal outposts of the encampment, we pass with still feet and caution,. The blocks and fallen architecture more than all the living cities of the globe. I am a free companion, I bivouac by invading watchfires,. I turn the bridegroom out of bed and stay with the bride myself,. I tighten her all night to my thighs and lips.
The courage of present times and all times,. How the skipper saw the crowded and rudderless wreck of the steam-ship, and Death chasing it up and down the storm,. How he knuckled tight and gave not back an inch, and was faithful of days and faithful of nights,.
All this I swallow, it tastes good, I like it well, it becomes mine,. The twinges that sting like needles his legs and neck, the murderous buckshot and the bullets,. I am the hounded slave, I wince at the bite of the dogs,. Hell and despair are upon me, crack and again crack the marksmen,. The riders spur their unwilling horses, haul close,. Taunt my dizzy ears and beat me violently over the head with whip-stocks.
I do not ask the wounded person how he feels, I myself become the wounded person,. My hurts turn livid upon me as I lean on a cane and observe. Heat and smoke I inspired, I heard the yelling shouts of my comrades,. I heard the distant click of their picks and shovels,. I lie in the night air in my red shirt, the pervading hush is for my sake,. Painless after all I lie exhausted but not so unhappy,. White and beautiful are the faces around me, the heads are bared of their fire-caps,. The kneeling crowd fades with the light of the torches.
They show as the dial or move as the hands of me, I am the clock myself. Again to my listening ears the cannon responsive. The ambulanza slowly passing trailing its red drip,. Workmen searching after damages, making indispensable repairs,. The fall of grenades through the rent roof, the fan-shaped explosion,. The whizz of limbs, heads, stone, wood, iron, high in the air. Again gurgles the mouth of my dying general, he furiously waves with his hand,.
He gasps through the clot Mind not me—mind—the entrenchments. Now I tell what I knew in Texas in my early youth,. The hundred and fifty are dumb yet at Alamo,. Their colonel was wounded and their ammunition gone,. They were the glory of the race of rangers,. Matchless with horse, rifle, song, supper, courtship,. Large, turbulent, generous, handsome, proud, and affectionate,. Bearded, sunburnt, drest in the free costume of hunters,. The second First-day morning they were brought out in squads and massacred, it was beautiful early summer,.
Some made a mad and helpless rush, some stood stark and straight,. A few fell at once, shot in the temple or heart, the living and dead lay together,. That is the tale of the murder of the four hundred and twelve young men. Would you learn who won by the light of the moon and stars? Our foe was no skulk in his ship I tell you, said he,. His was the surly English pluck, and there is no tougher or truer, and never was, and never will be;.
On our lower-gun-deck two large pieces had burst at the first fire, killing all around and blowing up overhead. The master-at-arms loosing the prisoners confined in the after-hold to give them a chance for themselves. The transit to and from the magazine is now stopt by the sentinels,. They see so many strange faces they do not know whom to trust. If our colors are struck and the fighting done? Now I laugh content, for I hear the voice of my little captain,. We have not struck, he composedly cries, we have just begun our part of the fighting. The tops alone second the fire of this little battery, especially the main-top,.
They hold out bravely during the whole of the action. The leaks gain fast on the pumps, the fire eats toward the powder-magazine. One of the pumps has been shot away, it is generally thought we are sinking. He is not hurried, his voice is neither high nor low,. His eyes give more light to us than our battle-lanterns. Toward twelve there in the beams of the moon they surrender to us.
Two great hulls motionless on the breast of the darkness,. The captain on the quarter-deck coldly giving his orders through a countenance white as a sheet,. The flames spite of all that can be done flickering aloft and below,. The husky voices of the two or three officers yet fit for duty,. Formless stacks of bodies and bodies by themselves, dabs of flesh upon the masts and spars,. Cut of cordage, dangle of rigging, slight shock of the soothe of waves,. Black and impassive guns, litter of powder-parcels, strong scent,. A few large stars overhead, silent and mournful shining,.
Delicate sniffs of sea-breeze, smells of sedgy grass and fields by the shore, death-messages given in charge to survivors,. Wheeze, cluck, swash of falling blood, short wild scream, and long, dull, tapering groan,. You laggards there on guard! See myself in prison shaped like another man,. For me the keepers of convicts shoulder their carbines and keep watch,. I am less the jolly one there, and more the silent one with sweat on my twitching lips.
Not a youngster is taken for larceny but I go up too, and am tried and sentenced. Not a cholera patient lies at the last gasp but I also lie at the last gasp,. Askers embody themselves in me and I am embodied in them,. I project my hat, sit shame-faced, and beg.
I discover myself on the verge of a usual mistake. That I could forget the mockers and insults! That I could forget the trickling tears and the blows of the bludgeons and hammers! That I could look with a separate look on my own crucifixion and bloody crowning. The grave of rock multiplies what has been confided to it, or to any graves,.
Corpses rise, gashes heal, fastenings roll from me. Inland and sea-coast we go, and pass all boundary lines,. Our swift ordinances on their way over the whole earth,. The blossoms we wear in our hats the growth of thousands of years. Continue your annotations, continue your questionings.
The friendly and flowing savage, who is he? Is he waiting for civilization, or past it and mastering it? Is he from the Mississippi country? Iowa, Oregon, California? The mountains? Wherever he goes men and women accept and desire him,. They desire he should like them, touch them, speak to them, stay with them. Slow-stepping feet, common features, common modes and emanations,.
They descend in new forms from the tips of his fingers,. They are wafted with the odor of his body or breath, they fly out of the glance of his eyes. Flaunt of the sunshine I need not your bask—lie over! You light surfaces only, I force surfaces and depths also. Man or woman, I might tell how I like you, but cannot,.
And might tell what it is in me and what it is in you, but cannot,. And might tell that pining I have, that pulse of my nights and days. Behold, I do not give lectures or a little charity,. Spread your palms and lift the flaps of your pockets,. I am not to be denied, I compel, I have stores plenty and to spare,. I do not ask who you are, that is not important to me,. You can do nothing and be nothing but what I will infold you. To cotton-field drudge or cleaner of privies I lean,.
And in my soul I swear I never will deny him. On women fit for conception I start bigger and nimbler babes. This day I am jetting the stuff of far more arrogant republics. To any one dying, thither I speed and twist the knob of the door. Turn the bed-clothes toward the foot of the bed,.
I seize the descending man and raise him with resistless will,. By God, you shall not go down! I dilate you with tremendous breath, I buoy you up,. Not doubt, not decease shall dare to lay finger upon you,. I have embraced you, and henceforth possess you to myself,. And when you rise in the morning you will find what I tell you is so. I am he bringing help for the sick as they pant on their backs,. And for strong upright men I bring yet more needed help. Heard it and heard it of several thousand years;. It is middling well as far as it goes—but is that all?
Outbidding at the start the old cautious hucksters,. Taking myself the exact dimensions of Jehovah,. Lithographing Kronos, Zeus his son, and Hercules his grandson,. In my portfolio placing Manito loose, Allah on a leaf, the crucifix engraved,. With Odin and the hideous-faced Mexitli and every idol and image,.
Taking them all for what they are worth and not a cent more,. Admitting they were alive and did the work of their days,. Accepting the rough deific sketches to fill out better in myself, bestowing them freely on each man and woman I see,. Discovering as much or more in a framer framing a house,.